Bond, James Bond!

roger moore hair

Cigar smoking enjoyed an abrupt, and steep, spike in popularity during the 1990s, after years of decline. Cigar bars and shops sprang up even in midsize towns and cities, while profits experienced heady growth. But during all the years between the industry's heyday and this 1990s revival, these fictional cigar smokers from stage, screen and literature never stopped puffing away.

james bond
This tuxedo-clad, luxury-obsessed, cynical secret agent first appeared in Ian Fleming's 1953 novel Casino Royale, in which the young Bond, a recent addition to the "00" (double-o) ranks of the British Secret Intelligence Service, proves his mettle by winning a high-stakes game of roulette against industrialist/rogue villain Hugo Drax. The success of this novel led to a long-running film series, television adaptations, many Fleming-penned sequels and - after Fleming's death - various new sequels by such authors as John Gardner, Charlie Higson and even Kingsley Amis.

Perhaps his biggest mark has been made on the medium of film, where his adventures have been followed by millions who've never read the Fleming novels or their offspring. Sean Connery made the character an icon in such films as Dr. No (1962), Goldfinger (1964) and Diamonds Are Forever (1971), with his old-blooded suavity and crackling, slightly Scots-inflected accent ("I'll play yer game, y'rogue").

Bond has been played with great deftness and assurance by actors Timothy Dalton and Pierce Bronson as well, though Roger Moore, with his painted-on hair and flippant manner, kept the role the longest (from 1973's Live and Let Die all the way to 1985's A View To a Kill).

Most recently, Daniel Craig has injected the role with a new pathos and toughness, in 2006's Casino Royale, perhaps the most critically-lauded Bond film yet. (But spare a thought for poor George Lazenby, who essayed the role in 1969's From Her Majesty's Secret Service - this writer's personal favorite.)

Bond is a heavy smoker, and a discriminating one. He smokes both cigars and cigarettes, preferring a blend of Balkan and Turkish tobacco with a high tar content. (Recent Bond movies have curtailed this habit somewhat.)

Holden Caulfield
Like so many precocious adolescents, Holden Caulfield enjoys a good cigar - besides the taste, it's a rite of passage for a soul that seems irretrievably trapped in transit. In J.D. Salinger's 1951 novel The Catcher in the Rye - for many readers, the great American novel of adolescence, though it had and continues to have its detractors - Holden runs away from his boarding school, Pencey Prep, condemning what he considers its "phoniness," and spends a memorably disjointed weekend in New York City looking for something worth hanging his life onto.

He visits old friends, tries (and fails) to lose his virginity, drinks himself into semicoherence, and is hit on by one of his old teachers. Along the way, he treats readers to his reflections on the dishonesty, image-consciousness, and hypocrisy of adult society, sexual politics, and popular culture "I hate the movies!" while displaying, and rebuking himself for, some of these same traits. ("You're always saying 'Glad to've met you' to people you're not glad to've met at all.") He washes away obscene graffiti written near the site of his old elementary school, and wishes that he could rescue his younger sister, Phoebe, from society's various affronts to childhood innocence; but, finally, he realizes that nobody can scrub all the dirt from life, and it's foolish to try.

Perry White/J. Jonah Jameson
What would a superhero be without his secret identity - and without the cigar-chomping editor-in-chief who makes that secret identity's life painful? Perry White, the larger-than-life editor of the Daily Planet, first appeared in the seventh issue of Superman (1940), and has bedeviled the existence of Clark Kent (that paper's mild-mannered reporter) ever since. He is rarely pictured without his cigar. He is also a fan of Elvis.

J. Jonah Jameson, editor of the New York-based Daily Bugle, is just as crusty in his demeanor as Perry White, but, as the editor of a Rupert Murdoch-ish sensationalist tabloid, his sense of ethics don't match those of his Daily Planet colleague. When Spider-Man begins his New York crimefighting career, Jameson wages a smear campaign against the hero - not knowing that one of his many underpaid freelance employees, photographer Peter Parker, is Spider-Man's alter ego. But Jameson has a good side - as a young reporter he waged similarly tireless campaigns against organized crime and in support of civil rights.

About the Author:

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Article Source: ArticlesBase.com - Four Famous Fictional Cigar Smokers

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Roger and Me $13.99 In 1989, Michael Moore, winner of 2002's Best Documentary Feature Academy Award and Cannes Film Festival Special Jury Prize for Bowling for Columbine, triumphantly burst upon the American moviemaking scene with Roger & Me, a hilarious, penetrating forerunner of the independent film movement to follow. Moore doggedly and hilariously tried to do what every working stiff dreams of: talk to the man at the top. His efforts to meet General Motors Chairman Roger Smith and persuade him to visit Flint, Michigan, frames a film that uses humor to devastating effect. Roger & Me champions people over profits and slyly lampoons corporate America as it shows how the Flint folks cope with economic setbacks.

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Citizen Moore $3.48 His fearless satirical assaults on formidable opponents like General Motors, the National Rifle Association and George W. Bush's White House, have made Michael Moore both a box office hit filmmaker and a bestselling author. For the first time this definitive biography traces the untold story of the 30 years of struggles and failures that led to his "overnight" success. To write this revealing, inspirational, often hilarious book, about the quintessential late bloomer, investigative reporter Roger Rapoport interviewed 250 people who played key roles in Michael Moore's life, from the nuns at his boyhood Catholic school to Ralph Nader and other employers - not to mention a seven-foot chicken! Anyone who loves (or detests) Michael Moore will find Citizen Moore an eye-opening book.

Michael Moore $11.95 Michael Moore's life story, from shy Eagle Scout to vocal critic of the Bush presidency, is told in this biography. In-depth research and interviews sort lies from truth and reveal both the passionate and cranky sides of this bestselling author and Academy Award-winning filmmaker. Previously undocumented information provides insights into Moore's mysterious and disastrous jump from local muckraker to editor of "Mother Jones" and narrates the runaway success of his first film, "Roger & Me," This incisive account lets readers see beyond the myths and presents a verifiable perspective on one of the most visible public figures of our age.

Hair $9.99 Principal cast includes: Ronald Dyson (Ron); James Rado (Claude); Gerome Ragni (Berger); Steve Curry (Woof); Lamont Washington (Hud); Lynn Kellogg (Sheila); Sally Eaton (Jeanie); Melba Moore (Dionne); Shelley Plimpton (Crissy); Diane Keaton (Waitress); Jonathan Kramer (Young Recruit); Paul Jabara (General Grant); Lorrie Davis (Abraham Lincoln); Donnie Burks (Sergeant).Producer: Andy Wiswell.Recorded in RCA Studio B, New York, New York on May 6, 1968.Composer: Galt MacDermot.Lyricists: Gerome Ragni; James Rado.The first and best musical of the hippie peace and love generation, with a score by Gerome Ragni, James Rado and composer Galt Macdermot. The show and the album were quite different to the usual Broadway fare, but songs such as 'Aquarius', 'Good Morning Starshine', 'Let The Sunshine In' and the title number, soon went on to have a life of their own. The album spent 59 weeks in the US Top 40, 13 of them at number 1, and also did well in the UK. It was also awarded a Grammy for 'best score from an Original Cast album'.

Michael Moore Hates America $7.59 In the documentary MICHAEL MOORE HATES AMERICA, Michael Wilson questions the filmmaker's level of integrity and disputes the accuracy of his facts and statistics. In an effort to satirize the movie ROGER & ME, where Michael Moore tries to get an interview with millionaire Roger Smith, Michael Wilson sets off on a quest to interrogate Moore. Wilson's movie is a close examination of the documentary genre and how it can be used to manipulate the audience's perception of certain events. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.

Roger & Me $17.96 Michael Moore's wickedly iconoclastic documentary was inspired by the decline and fall of Flint, Michigan. Once the site of a thriving General Motors plant, Flint went quickly to seed when GM decided to close down and move out. As Moore pokes around what has been described by one magazine as the worst place to live in America, he finds out how the local populace is coping with GM's betrayal of the American Dream. Among those visited are a family who is evicted just before Christmas, and an enterprising middle-aged woman who set up a thriving business slaughtering and skinning rabbits. Never feigning objectivity, Moore contrasts the impact of the shutdown on the average Joes and Janes with the diffident reaction of Flint's power elite. The latter's patronizing attitude towards the unemployed multitudes is succinctly captured in the scenes in which visiting celebrities Robert Schuller, Anita Bryant, Bobby Vinton and Pat Boone exhort the citizenry to grin and bear it. Even more out of synch is Miss Michigan Kaye Lani Rae Rafko, who in her morale-boosting speech to the disenfranchised GM employees begs them to pull for her in the upcoming Miss America pageant! The film's throughline is Moore's futile effort to locate GM chairman Roger Smith, so that he can show Moore first-hand the utter devastation of Flint. Roger & Me is very funny, but it is the gallows humor of soldiers about to embark on a suicide mission. In 1992, Michael Moore more or less updated Roger & Me with his half-hour short subject Pets or Meat: The Return to Flint. ~ Hal Erickson, All Movie Guide

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The Life of Henry Moore $7.98 Henry Moore’s rise from Yorkshire miner's son to international acclaim as the 20th century’s greatest sculptor is one of the most remarkable stories in British art. In this handsomely illustrated second edition of The Life of Henry Moore, Roger Berthoud charts Moore’s transition from controversial young modernist to celebrated pillar of the art world establishment. Drawing on his weekly interviews with the sculptor as well as a mass of material, including early letters and interviews with Moore’s friends and associates, Berthoud gives us a lively, balanced, definitive portrait of Henry Moore’s long life and career. Roger Berthoud, former arts journalist for the Times and the Independent, is also the author of the definitive biography of Graham Sutherland.

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Moore M-Michael Moore Collectors Set 3pk $20.99 From the landmark film Roger & Me to the controversial and record-breaking Fahrenheit 9/11, Michael Moore has proven himself to be one of the most provocative, fearless and witty filmmakers of our time. MGM Home Entertainment proudly presents two of his most lauded films: Bowling For Columbine and Miramax Home Entertainment's The Big One. In addition, the gift set also includes a bonus disc featuring an all-new featurette entitled 39 Cities In 23 Days with behind-the-scenes footage from Moore's Dude, Where's My Country? book tour.

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Henry Moore: Writings and Conversations $57.96 The highly articulate ruminations on art and on his own work, family, and colleagues by Henry Moore, one of the great sculptors of the twentieth century.For both admirers and students of Henry Moore's work, this book will be a blessing. Moore's humanity and intelligence make this compendium a plea-sure to dip into as well as scholarly and comprehensive.--Roger Berthoud, author of The Life of Henry MoorepAlan Wilkinson has trawled the rich material with exemplary thoroughness. . . . The nature and purpose of Moore's writing is illuminated. The introduction reflects Wilkinson's long friendship with Moore, and the commentary and notes testify to a remarkable knowledge of the artist's work, his circle and his ideas.--Sir Alan Bowness, editor of the Henry Moore Complete Sculpture SeriesHenry Moore's writings constitute a vivid and comprehensive record of his life and work, of the influences that shaped his vision, and of his reactions to the work of other artists, periods, and cultures. Spanning some seventy years, Moore's writings and conversations are much more than documentary records of his life and times: they have considerable literary merit in their own right.brThis fascinating collection of Moore's written and spoken words is the most comprehensive yet compiled, and contains much previously unpublished material. It includes over 150 illustrations: photographs of the sculptures, drawings and prints discussed in the text, illustrations of works by other artists, and photographs of the sculptor and his environment at various stages of his life.brHenry Moore: Writings and Conversations completes and complements the catalogues of his sculpture, drawings, and prints. It will be indispensable for scholars and engrossing reading for Moore enthusiasts worldwide.For both admirers and students of Henry Moore's work, this book will be a blessing. Moore's humanity and intelligence make this compendium a plea-sure to dip into as well as scholarly and comprehen@LúáG®{ÿ¾Úð

More of Moore $15.98 Dorothy Moore sounds more Southern than she ever has on this late-career Malaco Records CD. The singer, who ascended the charts with "Misty Blue" way back when, now has a voice that has aged, husky and more than capable of delivering three-hearts-in-a-tangle sagas and mistreated woman dramas. Only the horns and backing singers (both splendid) keep one from classifying the ballads as deep soul; lovers of that style will find much to like with More Moore. Standouts include "Why Is Leaving You So Hard to Do," "Lie to Me," and "Stop What You're Doing to Me." It's shameful this type of music is absent on mainstream radio. ~ Andrew Hamilton, All Music GuidePerformers: Thomisene Anderson - Vocals (Background); Brenda Barnett - Vocals (Background); Jewel Bass - Vocals (Background); Quanda Brooks - Vocals (Background); Ezra Brown - Horn; Harrison Calloway - Strings, Trumpet; Charles Chalmers - Vocals (Background); Mickey Davis - Strings; Janet Dressler - Strings; Kimble Funchess - Horn; Robert Lampkin - Horn; Ann McNally - Strings; Bob McNally - Strings; Peggy Plucker - Strings; Booker Walker - Horn; Charles Richard Cason - Synthesizer; Roger Hawkins

Michael Moore: Awful Truth $13.73 Rated: NR Synopsis: If you can imagine a superstar who looks like a Yeti in a Detroit Tigers cap, then it is fair to say filmmaker Michael Moore is America's biggest leftist-activist superstar. No one, with the possible exception of Ralph Nader, has been as well regarded a raiser of awareness as Moore over the last 15 years. Nader has certainly done more for the American people but, unlike Moore, he doesn't have his own TV show. Following his damned-be-General Motors documentary Roger & Me, Moore produced the great TV Nation, airing on NBC and Fox in sporadic and poorly-rated spurts through the early nineties. Moore found a home on Bravo (via the BBC) in 1998, and if The Awful Truth, his new show, is less freewheeling and witty than TV Nation, it does offer Moore fans the considerable advantage of getting a brand new release on video and DVD. Moore seizes the potential of television as a cultural and ethical alarm clock as no one ever has: Imagine 60 Minutes made by a crop of angry, sarcastic hardcore liberals, and you'll get an idea of what Moore's work is like. The targets here are familiar bad guys (HMO's, union-busting corporations, cynical industrialists, bigots), though their familiarity doesn't make them any less bad, or their actions less disturbing. Moore advances his case against the enemy in characteristic style, which swings from wince-inducing (victims of throat cancer, their larynxes removed, rasp Christmas carols in the Philip Morris Co. lobby) to hilarious (a "corporate debt collector" strong-arms a wrongly-dismissed UPS employee back into a job). You'll laugh, you'll squirm, but chances are that you'll be glad Michael Moore is still out there doing his thing, and that someone is still brave enough to put it on television. Dave RothPRODUCTION AND TECHNICAL NOTES:Aspect Ratio: Pre-1954 Standard (1.33.1)Presentation: Pan & ScanSound: stereoFeatures: Michael Moore biography; "Moore Awful Truths"; Interactive menus; Scene selectionLanguage: EnglishTime: 5 Hours

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Roger & Me - Subtitle $18.99 Michael Moore's wickedly iconoclastic documentary was inspired by the decline and fall of Flint, Michigan. Once the site of a thriving General Motors plant, Flint went quickly to seed when GM decided to close down and move out. As Moore pokes around what has been described by one magazine as "the worst place to live in America", he finds out how the local populace is coping with GM's betrayal of the American Dream. Among those visited are a family who is evicted just before Christmas, and an enterprising middle-aged woman who set up a thriving business slaughtering and skinning rabbits. Never feigning objectivity, Moore contrasts the impact of the shutdown on the average Joes and Janes with the diffident reaction of Flint's power elite. The latter's patronizing attitude towards the unemployed multitudes is succinctly captured in the scenes in which visiting celebrities Robert Schuller, Anita Bryant, Bobby Vinton and Pat Boone exhort the citizenry to grin and bear it. Even more out of synch is "Miss Michigan" Kaye Lani Rae Rafko, who in her morale-boosting speech to the disenfranchised GM employees begs them to pull for her in the upcoming Miss America pageant! The film's throughline is Moore's futile effort to locate GM chairman Roger Smith, so that he can show Moore first-hand the utter devastation of Flint. Roger & Me is very funny, but it is the gallows humor of soldiers about to embark on a suicide mission. In 1992, Michael Moore more or less updated Roger & Me with his half-hour short subject Pets or Meat: The Return to Flint. ~ Hal Erickson, All Movie Guide

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Moore Rental : 0217097499 $24.77 Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: APPENDIX. LIST OF MAYORS AND BAILIFFS OF LIVERPOOL, From 1625 To 1687. [/from Gore's Directory, 1790.] Mayors. Bailiffs. 1025 Lord Strange Richard Tarleton, James Southern. 1626 Edward Moore, Esq. . . Thomas Brookbank, John Astley. 1627 Ralph Seacome Ralph Sandiford, Robert Lurting. 1628 John Walker William Ireland, Ralph Worral. 1629 Robert Williamson John Chandler, Thomas Bicksteth. 1630 John Williamson Thomas Ecclcston, John Moore. 1631 Ralph Sandiford John Millinge, Thomas Tarleton. 1632 John Walker Robert Millinge, John Higginson. 1633 John Moore, Esq Richard Tarleton, Edward Chambers. 1634 Robert Williamson Thomas Tarleton, Roger Johnes. 1635 Thomas Bickstath Thomas Blackmore, Edward Alcock. 1636 William Dwerryhouse.. John Williamson, jun., Ralph Massam. 1637 Thomas Eccleston John Higginson, James Williamson. 1638 John Williamson . John Chantler, Richard Johnes. 1639 Thomas Stanley, Esq... Edward Alcock, Henry Robinson. 1640 William Ireland Edward Chambers, Hugh Gardiner. 1641 John Walker Thomas Hodgson, John Wood. 1642 Thomas Bixteth Ralph Massam, William Williamson. 1643 James Williamson Edward Formby, Lawrence Mercer. 1644 John Holcroft, Esq Thomas Williamson, John Tarleton. 1645 Thomas Blackmore Edward Williamson, Robert Garnett. 1646 Richard Tarleton Thomas Hodgson, John Sandiford. 1647 Thomas Tarleton Richard Williamson, John Sturzaker. 1648 William Williamson Edward Lyon, Thomas Storey. 1649 Thomas Hodgson Gilbert Formby, Evan Marsh. 1650 James Williamson Thomas Ayndoe, William Lurtin, died, Peter Lurtin succeeded. 1651 Thomas Williamson Richard Percival, John Eccleston. 1652 Ralph Massam Peter Lurtin, William Rimmer. 1653 Edward Williamson John Blundell, John Lurtin....

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Michael Moore: Awful Truth - Comp 2 Season $13.73 Rated: NR Synopsis: Michael Moore, America's Emmy-nominated gadfly of gall, takes to the road again for a second season of The Awful Truth, hailed by critics as the most daring show to hit the American public since Moore's own critically acclaimed TV Nation. In the spirit of his award-winning documentary Roger and Me, Moore combines comedy and non-fiction as he places himself squarely in the middle of today's most controversial issues and events. Join Moore for twelve new half hour episodes filled with scathingly funny observations and humorous rants that boldly and ironically provide valuable commentary on today's cultural landscape. PRODUCTION AND TECHNICAL NOTES:Features: DVD exclusive: Michael Moore offers behind-the-scenes commentary on four of his favorite episodes; Extra Lenny "The Bookie" odds not featured in original episodes; Michael Moore biography; Interactive menus; Scene selectionLanguage: EnglishTime: 5 Hours

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Michael Moore Is A Big Fat Stupid White Man $13.45 This scathing critique of filmmaker and author Michael Moore examines his career from his first film, ROGER AND ME, through FAHRENHEIT 9/11. It includes original material by the authors as well as chapters by Tim Blair, Andrew Sullivan, and Anthony Zoubec

The Age of Hair $63.48 A reflection and symbol of the turbulent 1960s and the culture and lifestyles of the Hippies, Hair made history as the first rock musical on Broadway and one of the most successful musicals. The sixties left an indelible imprint upon the American psyche, and Hair, in the words of critic Clive Barnes, "summed it up better than any other piece of American theatre." Aside from bringing experimental techniques and rock music to Broadway, Hair, in author Barbara Horn's view, represented a major step in the evolution of the "concept musical" from the "book musical" and was the first concept musical to reach mass audiences, an achievement unheralded and little recognized. Horn analyzes the social context of Hair and the Hippies, describes the tenor of the Broadway theatre of the times and the experimental trends Off-Broadway that culminated in Hair's innovations on the Great White Way. She then goes on to relate the dramatic story of Hair's creation and growth, dash myths and clarify the actual events, including the casual meeting of coauthors Gerome Ragni and James Rado with producer Joseph Papp on a train. The transfer of Hair to Broadway is fully detailed, and the Broadway production is compared with the earlier production at Papp's Public Theater with lists of song sequences provided. Several revivals and the film version are also discussed, and staff and cast lists appear as appendixes. Horn's extensive archival research is amplified by insights from numerous interviews, including those with the authors, Ragni and Rado; composer, Galt MacDermot; Broadway producer, Michael Butler, directors, Gerald Freedman and Tom O'Horgan, musical director, Galt MacDermot; set designer, Robin Wagner; lighting designer, Jules Fisher, cast members, Melba Moore and Lorrie Davis; and others associated with one or more of the productions, as well as with theatre critics and theorists. Numerous published works were also connsulted, and a strong bibliography is provided.

The Foster Twins In The Mystery At Moore's Lake $24.48 The dark night was strangely quiet. The moon had disappeared behind the clouds, and there were absolutely no sounds. Not just quiet, but total silence. Then the lonesome cry of a whippoorwill broke the silence. Or was it really a whippoorwill! A strange ghost-like figure appears during the night as the twins and their cousin are camping in the Ozark Mountains above Moore's Lake near Heber Springs, Arkansas. Akiela, the last of a mysterious tribe of Native Americans, has come to warn the young adventurers about evil men in the area of the lake. He seems to be able to appear and disappear at will. He is very tall, and pale, almost deathlike...his long white hair flowing to his narrow shoulders. His eyes burn with agitation and displeasure at what is happening to his beloved mountains.

The Foster Twins in the Mystery at Moore's Lake $11.71 The dark night was strangely quiet. The moon had disappeared behind the clouds, and there were absolutely no sounds. Not just quiet, but total silence. Then the lonesome cry of a whippoorwill broke the silence. Or was it really a whippoorwill! A strange ghost-like figure appears during the night as the twins and their cousin are camping in the Ozark Mountains above Moore's Lake near Heber Springs, Arkansas. Akiela, the last of a mysterious tribe of Native Americans, has come to warn the young adventurers about evil men in the area of the lake. He seems to be able to appear and disappear at will. He is very tall, and pale, almost deathlike...his long white hair flowing to his narrow shoulders. His eyes burn with agitation and displeasure at what is happening to his beloved mountains.

Michael Moore: The Awful Truth Complete DVD Set $27.5 Rated: NA Synopsis: We can barely handle the truth: Sometimes, we're shocked by the anxiety-spiking revelation of what is really happening in our government and the in corporations that dominate our world. Other times, we're awed by documentary provocateur Michael Moore's knack for wringing humor out of uncovered malfeasance. Such is the bittersweet truth of Moore's acclaimed Bravo documentary series, The Awful Truth. In grave danger of being best remembered as the guy whose 2003 Academy Award acceptance speech -- for the Best Documentary Feature, Bowling for Columbine -- devolved into a spirited bit of Bush-bashing, Moore's legacy is much better served in this collection. The 24 episodes in this four-disc set mix performance art, civics lessons, and social protest, all delivered with folksy sarcasm by the bestselling author of Downsize This and Stupid White Men. Moore takes on corporate giants and the U.S. government with the same irreverent bravado that propelled his hunt for GM's CEO in 1989's Roger and Me. Outrageous in his outrage, Moore leads a cancer-stricken Voice Box Choir to carol at Philip Morris and holds a mock funeral outside an insurance company's corporate headquarters when they won't pay for a customer's life-or-death pancreas operation. He sends Crackers, the Corporate Crime-Fighting Chicken, to Disneyland to expose Mickey Mouse for possible unfair labor practices and has a street pimp show Congress how to get organized. As background to Moore's Oscar rant, we recommend the "Gulf War" piece from Season 2, in which the baseball-capped crusader sounds out Americans on their true feelings toward Saddam Hussein, Iraq, and Middle East oil. Granted, the appeal of Moore's soapbox skewering might be lost on the minority who voted for George W. Bush in 2000. But to fans on Moore's side of the spectrum, these truths are just awful, and awfully funny. Peter MarchandPRODUCTION AND TECHNICAL NOTES:Sound: Dolby Digital StereoFeatures: DVD Exclusive: Michael Moore offer hilarious, behind the scenes commentary on four of his favorite episodes; Extra Lenny "The Bookie" odds not featured in original episodes; Moore Awful Truths; Michael Moore biography; Interactive menus; Scene selectionEditions: Multi-Item SetTime: 10 Hours

Barbara Moore $10 Barbara Moore

Ashton Moore $10 Ashton Moore

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